Sean Clute :
Sean is an inventor of sound, video, installation, and performance. As Co-Artistic Director of DOUBLE VISION, Sean has built and performed in geodesic domes, suspended pods, and interactive sonic environments. His diverse creative activities have been presented at venues such as The Kitchen, CEAIT Festival, San Francisco Museum of Modern Art, TED2005, Uspannwerk Kreuzberg (Germany), Shabla Solar Eclipse Festival (Bulgaria), La Case A Chocs (Switzerland), La Ma Ma etc., Times Square Deli Dance, CBGB's, REDCAT Theater, University of Illinois Urbana-Champaign, California College of the Arts, Mills College, and California Institute of the Arts.

Sean has an extensive background in music and intermedia art. He holds an MFA in Electronic Music and Recording Media from Mills College where he was awarded the Music Alumnae Scholarship, Crothers Award, Hellman Award, Lynn T. White Award, and Frog Peak Collective Experimental Music Award. Additionally, Sean was awarded a scholarship to attend The Kitchen Summer Institute in New York City and a recent scholarship to attend Anderson Ranch in Colorado. Sean holds a BA in Music at the University of New Mexico where he studied classical guitar and composition.

Sean has also worked in performing arts and technology organizations with positions held at Orban/CRL broadcast technologies, Columbia University Music Library, and The Kitchen. He has guest lectured at Cal State University Stanislaus, Mills College, and California College of the Arts on intermedia art and technology.

Sean is the founder of experimental music groups X-Ray Vision Network and Passing Strange, as well as the co-founder of the electronic music group Cloud Full of Clowns. He has collaborated on a number of projects with groups Ransom Corp., Amoeba Technology, Jose Roque Ensemble, choreographers Pauline Jennings, Nic Petry, animator Nick Fox-Gieg, musicians Zemi 17, Pauline Oliveros, Jessica Catron, Dorsey Dunn, and designer Ben Coolik.

Pauline Jennings :
Pauline is a contemporary dance choreographer interested in prophesizing and questioning the future of humankind through movement. The society she sees is one that is evolving with exciting technological advances, an onslaught of media pushing ideas and products, and in-debt zombie workers afforded little time for reflection and critical thought. Pauline believes that advances in life-extending tools, online communities, media conglomerates, and cybernetics will transform the definition of human nature and should not be permitted to do so unnoticed or unquestioned. Her work attempts to viscerally capture the excitement, confusion and fear that accompany this rapidly changing society. Through her work, she hopes that viewers will have an opportunity to reflect upon and take a more active role in determining their own evolution.

Since 2003, Pauline has completed over 70 performances involving collaborations between dancers, musicians, video artists and technologists. Her choreography has been performed in festivals and showcases nation-wide, including San Francisco, Los Angeles, Brooklyn and Albuquerque. Her choreography for Disembodied Head #2 was filmed for national distribution as part of PBS' Meaning of the 20th Century series. She has both performed and presented work at such venues as the SF Museum of Modern Art, Yerba Buena Center for the Arts, ODC Theater, and Dance Mission Theater. Pauline currently is a Visiting Artist for the Mills College Dance Department's Repertory Dance Company and has particpated in conferences held at the University of California at Berkeley, California State University, Mills College, Brighton College (UK), and Doncaster College (UK).

Caitlyn Carradine :
Caitlyn Carradine, born and raised in Los Angeles, is a choreographer and contemporary ballerina whose work transcends various venues, mediums, and roles as she feels the spirit of her native home is what guides her practice. She trained at and graduated from Vienna Austria's Wiener Staatsoper Ballettschule (1998-2001) and danced in productions at both the Wiener Staatsoper and Volksoper Wien before returning to Los Angeles, California in 2002 to establish her company: Los Angeles Contemporary Ensemble (LA.C.E.) an avant-garde experimental dance theater. LA.C.E. has produced 25+ original evening length dance productions including "dancing with paints" which was used to create a billboard for Hollywood Boulevard. L.A.C.E. resided in the abandoned portion of the Camarillo State Hospital from 2003-2006 and since has been a nomadic company most recently moving to Vienna, Austria where it will serve as a collaborative production base. Collaborating with DOUBLE VISION in Europe has come as a synchronistic and natural next step and it is all very thrilling to help represent California halfway around the world.
http://www.dancingwithpaints.com
http://www.lace-theater.com

photo credit: Jay Matsueda

Dorsey Dunn :
Los Angeles-based artist Dorsey Dunn’s work in sound, text and image, in the form of installations, performances and written and recorded works, is an extended meditation on the perimeters of language, the movements of silence, and the vagaries of comprehension. Languages, spoken and sounded, in their multiplicities of gesture and meaning, are a primary concern, as are considerations of memory, spatial presence, and will. Dorsey regularly exhibits and performs his sound-led installations and music in the US and internationally. He has received invitations to residencies and festivals around the world, most recently to the media arts lab TESLA in Berlin; Jack Straw New Media Gallery in Seattle; Festival International de Arte Digital, Rosario, Argentina; MusicAcoustica in Beijing; and Is Arti in Vilnius and Kaunas, Lithuania. He has scored and produced music for film, theater, and dance, as well as for a variety of multimedia performances. Previously, he edited an international literary magazine, Trafika, based in Prague and New York. He was educated in New York City.